ABSTRACT

First published in 1973 The Film Business makes a factual survey of British films from their beginnings in 1896 to 1972. Ernest Betts  offers character studies of men who have built the film industry and made it what it is. He examines the financial and political background and shows how, while intending to encourage film production, it has often had exactly the opposite effect and inhibited its free development. Betts also attacks the manner in which the American film industry has taken over the British film industry and points to the failure of successive governments to save it from repeated crises and losses. Through these fluctuations the author keeps a firm eye on the film itself and brings the judgement of film critics past and present to bear on British cinema, as it moves uncertainly and not without its triumphs into the 1970s.

This is an interesting read for students and scholars of film studies, British film history and British cinema.

part I|53 pages

Beginnings

chapter Chapter 1|15 pages

The Threepenny Cinema

chapter Chapter 2|9 pages

First Features: Hepworth and Others

chapter Chapter 3|7 pages

Early Influences

chapter Chapter 4|10 pages

Pearson, Samuelson, Elvey and their Contemporaries

chapter Chapter 5|4 pages

Sound Erupts in the 1920s

chapter Chapter 6|6 pages

Of Cinemas, Societies and Institutes

part II|41 pages

Development

chapter Chapter 7|9 pages

Wardour Street: The Structure of the Industry

chapter Chapter 8|9 pages

The Building of the Cinemas

Bromhead, Ostrer, Bernstein, Deutsch

chapter Chapter 10|8 pages

Boom and Crisis in the 1930s

chapter Chapter 11|7 pages

The Studios: Conditions of Filming

part III|56 pages

The Film Matures

chapter Chapter 12|14 pages

Alfred Hitchcock and Anthony Asquith

chapter Chapter 13|11 pages

Victor Saville, Herbert Wilcox and Others

chapter Chapter 14|5 pages

Sense and the Censorship

chapter Chapter 15|7 pages

Alexander Korda and the 1930s

chapter Chapter 16|9 pages

More Directors of the 1930s

part IV|36 pages

Documents and War Films

chapter Chapter 18|10 pages

The Documentary Movement, 1929–1940

chapter Chapter 19|8 pages

War Films: Documentary, 1939–1945

chapter Chapter 20|11 pages

War Films: Fiction and Semi-Fiction

chapter Chapter 21|5 pages

War Films: The Final Phase, 1943–1945

part V|45 pages

End of The Great Days

chapter Chapter 22|6 pages

War-time Changes and the Monopoly Report

chapter Chapter 23|11 pages

The Post-War Film Industry

chapter Chapter 24|6 pages

TV Changes the Pattern

chapter Chapter 25|11 pages

Some Post-War Films, 1945–1950

chapter Chapter 26|9 pages

The Englishness of Ealing

part VI|16 pages

Transition Stage

chapter Chapter 27|6 pages

The Lion's Tail Twisted

chapter Chapter 28|8 pages

Transition in the 1950s

part VII|47 pages

Into the 1970s

chapter Chapter 29|9 pages

New Men, New Cinema

chapter Chapter 30|11 pages

The Changing Background—1960s–1970s

chapter Chapter 31|25 pages

The Director as Super-Star