ABSTRACT

Patti Miller's best-selling Writing True Stories is the essential book for anyone who has ever wanted to write a memoir or explore the wider territory of creative nonfiction. It provides practical guidance and inspiration on a vast array of writing topics, including how to access memories, find a narrative voice, build a vivid world on the page, create structure, use research, and face the difficulties of truth-telling.

It first develops a wide range of writing skills for beginners, and then challenges more experienced writers to extend their knowledge and practice of the genre into literary nonfiction, true crime, biography, the personal essay, the diary, and travel writing. It offers inspiration from other nonfiction writers, such as Joan Didion, Helen Garner, Robert Dessaix, and Zadie Smith. Whether you want to write your own memoir, investigate a wide-ranging political issue, explore an idea, or bring to life an intriguing history, this book will be your guide.

Writing True Stories is practical and easy to use as well as an encouraging and insightful companion on the writing journey. Written in a warm, clear, and engaging style, it will get you started on the story you want to write – and keep you going until you get there.

part I|138 pages

Starting out

chapter 1|9 pages

Exploring the territory

Do you have a compass and, if so, what is it made of?

chapter 2|8 pages

How to use this book

Writing the narrative of your life, you come to realise the interrelatedness of all lives; reading the stories of others' lives, you come to understand your own.

chapter 3|17 pages

Workshop one Getting started

If we all waited for certainty, most things would never be undertaken.

chapter 4|18 pages

Workshop two Memory and other sources

Memory is the mother of creativity.

chapter 5|11 pages

Workshop three Bringing it to life – Detail

You are the only one who has lived your life. Your details are unique. Writing them will reveal the wonder in the ordinariness of life.

chapter 6|15 pages

Workshop four Bringing it to life – Scenes

Sometimes, most times, the truth needs the help of ‘Let's pretend’ to be conveyed with any power.

chapter 7|12 pages

Workshop five Finding your voice

Your voice on the page will be most at ease when it echoes your speaking voice.

chapter 8|16 pages

Workshop six Structure

They (memories) lie tumbled in a heap, a treasure house of your life with a light now shining on it, catching some memories and making them glow.

chapter 9|14 pages

Workshop seven Inventing the story – Narrative

Experiencing life is not enough, is somehow unfinished without telling the story of it.

chapter 10|16 pages

Workshop eight Style matters and editing

Well-chosen words and well-made sentences are just as recognisable as a well-made table, car or ceramic pot.

part II|216 pages

Masterclasses

chapter 11|14 pages

Workshop nine Midway blues – Continuing on

There are so many ways to stop writing …

chapter 12|16 pages

Workshop ten Madeleines and unicorns – Sensory detail

It begins with attention and observation.

chapter 13|15 pages

Workshop eleven Research

Being a researcher is like being a detective – you find a thread, you follow it along, you come to a full stop and have to jump sideways and follow another clue.

chapter 14|15 pages

Workshop twelve The storyteller's seat – Narrating position

The centre of any story, oral or written, fiction or nonfiction, fairy tale or not, is the storyteller.

chapter 15|16 pages

Workshop thirteen Beauty of form – More structure

Be as ruthless as Nature when you are considering what needs to be included.

chapter 16|18 pages

Workshop fourteen Magic spells – More narrative

Trust that the story is already there.

chapter 17|14 pages

Workshop fifteen Private! Diaries, journals, notebooks, letters, emails

Small observations can be just as illuminating as grand insights.

chapter 18|20 pages

Workshop sixteen Creative nonfiction – Crime, journalism, nature, history, biography

It is useful to ask yourself whether you have a story to tell or an idea to explore.

chapter 19|16 pages

Workshop seventeen Creative nonfiction – The personal essay

Fascinating facts are a delight, but my overruling passion is the mad leap from the fact into the ‘grand idea’.

chapter 20|16 pages

Workshop eighteen Creative nonfiction – Travel memoir

Pack only the freshest expressions.

chapter 21|16 pages

Workshop nineteen Creative nonfiction – Border lands: is it true?

‘I am telling you something about myself, which you can believe actually occurred.’

chapter 22|19 pages

Workshop twenty Difficulties and ethics of truth-telling

It is very difficult to avoid upsetting at least one of your readers, if not a community of readers – whether they have read your work or not!

chapter 23|13 pages

Workshop twenty-one Avoiding self-indulgence

First face that original accusing question: ‘Why would anyone want to read about you?’

chapter 24|6 pages

Where to now? Publishing

What is it like for you to be in the world?