Touching and Sensing

For the architect, Irigaray’s theory of sensing subjects and spaces provides an

interesting discussion through which to explore the importance of sense-based

interaction with architectural design. In this respect, her ideas are reflected in:

contemporary design, history and theory research into the sonic, tactile and

olfactory experience of architectural materials and space that augment the

immersive qualities of an architectural experience (e.g. in acoustic design and

therapeutic applications); or in the development of ‘dynamic’ materials (e.g.