ABSTRACT
For the architect, Irigaray’s theory of sensing subjects and spaces provides an
interesting discussion through which to explore the importance of sense-based
interaction with architectural design. In this respect, her ideas are reflected in:
contemporary design, history and theory research into the sonic, tactile and
olfactory experience of architectural materials and space that augment the
immersive qualities of an architectural experience (e.g. in acoustic design and
therapeutic applications); or in the development of ‘dynamic’ materials (e.g.