ABSTRACT

This citation from Kant’s Critique of Judgment sets out a decision to be made,

concerning the production of items in accordance with a perspective on the end

result, between thinking this either as a mechanism of nature, compatible with a

natural causality, or as needing a specification of a new kind of causality,

through which the effects of human freedom or indeed the intendings of a

divine being may be brought into the analysis. The decision here is constrained

by Kant’s presumption that the causality of nature precludes registering these

effects of either human freedom or divine intending, or indeed of Intelligent

Design, since he has an account of natural causality which presumes a greater

degree of homogeneity amongst the forces and phenomena to be brought into

the analysis, than more contemporary accounts of causes in nature might be

inclined to do. Leaving the possibly anachronistic aspects of Kant’s notion of

causality in nature on one side, the question remains whether there is a differ-

ence, as marked up by Aristotle, between efficient and final causes, such that

two distinct forms of linked processes are to be traced out when historical events

and human activity are the focus for concern. The question thus posed reveals

the further puzzle about the loss from the tradition of the notions of formal and

material causes, as distinct from the final and efficient causes, which roughly

speaking map on to the two forms of analysis contrasted here by Kant. When

Derrida, and after him Bernard Stiegler, insist on an originary prosthesis, as

simultaneous with an originary inception, and providing a necessary supplement

for the analysis of its development, they in effect mark up a splitting between a

material cause, and its efficacy, whereby materiality has implications above and

beyond those taken up in the articulations of efficient causality.2 The linkage

presumed between formal and final causes can be similarly syncopated by

insisting on delay and on non-simultaneities in the articulation of formal causes,

such that they do not arrive at a single final realisation.