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Pina Bausch
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Pina Bausch

Pina Bausch

ByRoyd Climenhaga
Edition 1st Edition
First Published 2008
eBook Published 25 November 2008
Pub. location London
Imprint Routledge
DOIhttps://doi.org/10.4324/9780203098950
Pages 160 pages
eBook ISBN 9781134187577
SubjectsArts
Get Citation

Get Citation

Climenhaga, R., Chamberlain, F. (2009). Pina Bausch. London: Routledge, https://doi.org/10.4324/9780203098950
ABOUT THIS BOOK

Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance.

This book is the first English language overview of Pina Bausch’s work and methods, combining:

  • an historical and artistic context for Bausch’s work.

  • her own words on her work, including a newly published interview.

  • a detailed account of her groundbreaking work Kontakthof, both as performed by Tanztheater Wuppertal and by ladies and gentlemen over 65.

  • practical exercises derived from Bausch’s working method for both dance and theatre artists and students.

As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

Royd Climenhaga currently teaches at Eugene Lang College/The New School University in New York City. He writes on intersections bewteen dance and theater and develops and produces new physical performance works as Co-Artistic director of Human Company.

TABLE OF CONTENTS
chapter 1|38 pages
AN ARTISTIC AND CONTEXTUAL HISTORY
View abstract
chapter 2|30 pages
WHAT IS SAID
View abstract
chapter 3|26 pages
KONTAKTHOF IN CONTEXT
View abstract
chapter 4|34 pages
PRACTICAL EXERCISES
View abstract

Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance.

This book is the first English language overview of Pina Bausch’s work and methods, combining:

  • an historical and artistic context for Bausch’s work.

  • her own words on her work, including a newly published interview.

  • a detailed account of her groundbreaking work Kontakthof, both as performed by Tanztheater Wuppertal and by ladies and gentlemen over 65.

  • practical exercises derived from Bausch’s working method for both dance and theatre artists and students.

As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

Royd Climenhaga currently teaches at Eugene Lang College/The New School University in New York City. He writes on intersections bewteen dance and theater and develops and produces new physical performance works as Co-Artistic director of Human Company.

TABLE OF CONTENTS
chapter 1|38 pages
AN ARTISTIC AND CONTEXTUAL HISTORY
View abstract
chapter 2|30 pages
WHAT IS SAID
View abstract
chapter 3|26 pages
KONTAKTHOF IN CONTEXT
View abstract
chapter 4|34 pages
PRACTICAL EXERCISES
View abstract
CONTENTS
ABOUT THIS BOOK

Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance.

This book is the first English language overview of Pina Bausch’s work and methods, combining:

  • an historical and artistic context for Bausch’s work.

  • her own words on her work, including a newly published interview.

  • a detailed account of her groundbreaking work Kontakthof, both as performed by Tanztheater Wuppertal and by ladies and gentlemen over 65.

  • practical exercises derived from Bausch’s working method for both dance and theatre artists and students.

As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

Royd Climenhaga currently teaches at Eugene Lang College/The New School University in New York City. He writes on intersections bewteen dance and theater and develops and produces new physical performance works as Co-Artistic director of Human Company.

TABLE OF CONTENTS
chapter 1|38 pages
AN ARTISTIC AND CONTEXTUAL HISTORY
View abstract
chapter 2|30 pages
WHAT IS SAID
View abstract
chapter 3|26 pages
KONTAKTHOF IN CONTEXT
View abstract
chapter 4|34 pages
PRACTICAL EXERCISES
View abstract

Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance.

This book is the first English language overview of Pina Bausch’s work and methods, combining:

  • an historical and artistic context for Bausch’s work.

  • her own words on her work, including a newly published interview.

  • a detailed account of her groundbreaking work Kontakthof, both as performed by Tanztheater Wuppertal and by ladies and gentlemen over 65.

  • practical exercises derived from Bausch’s working method for both dance and theatre artists and students.

As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

Royd Climenhaga currently teaches at Eugene Lang College/The New School University in New York City. He writes on intersections bewteen dance and theater and develops and produces new physical performance works as Co-Artistic director of Human Company.

TABLE OF CONTENTS
chapter 1|38 pages
AN ARTISTIC AND CONTEXTUAL HISTORY
View abstract
chapter 2|30 pages
WHAT IS SAID
View abstract
chapter 3|26 pages
KONTAKTHOF IN CONTEXT
View abstract
chapter 4|34 pages
PRACTICAL EXERCISES
View abstract
ABOUT THIS BOOK
ABOUT THIS BOOK

Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance.

This book is the first English language overview of Pina Bausch’s work and methods, combining:

  • an historical and artistic context for Bausch’s work.

  • her own words on her work, including a newly published interview.

  • a detailed account of her groundbreaking work Kontakthof, both as performed by Tanztheater Wuppertal and by ladies and gentlemen over 65.

  • practical exercises derived from Bausch’s working method for both dance and theatre artists and students.

As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

Royd Climenhaga currently teaches at Eugene Lang College/The New School University in New York City. He writes on intersections bewteen dance and theater and develops and produces new physical performance works as Co-Artistic director of Human Company.

TABLE OF CONTENTS
chapter 1|38 pages
AN ARTISTIC AND CONTEXTUAL HISTORY
View abstract
chapter 2|30 pages
WHAT IS SAID
View abstract
chapter 3|26 pages
KONTAKTHOF IN CONTEXT
View abstract
chapter 4|34 pages
PRACTICAL EXERCISES
View abstract

Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance.

This book is the first English language overview of Pina Bausch’s work and methods, combining:

  • an historical and artistic context for Bausch’s work.

  • her own words on her work, including a newly published interview.

  • a detailed account of her groundbreaking work Kontakthof, both as performed by Tanztheater Wuppertal and by ladies and gentlemen over 65.

  • practical exercises derived from Bausch’s working method for both dance and theatre artists and students.

As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

Royd Climenhaga currently teaches at Eugene Lang College/The New School University in New York City. He writes on intersections bewteen dance and theater and develops and produces new physical performance works as Co-Artistic director of Human Company.

TABLE OF CONTENTS
chapter 1|38 pages
AN ARTISTIC AND CONTEXTUAL HISTORY
View abstract
chapter 2|30 pages
WHAT IS SAID
View abstract
chapter 3|26 pages
KONTAKTHOF IN CONTEXT
View abstract
chapter 4|34 pages
PRACTICAL EXERCISES
View abstract
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