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Sociology, Religion and Grace
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Sociology, Religion and Grace

Sociology, Religion and Grace

ByArpad Szakolczai
Edition 1st Edition
First Published 2006
eBook Published 24 January 2007
Pub. location London
Imprint Routledge
DOIhttps://doi.org/10.4324/9780203968185
Pages 320 pages
eBook ISBN 9781134194506
SubjectsSocial Sciences
Get Citation

Get Citation

Szakolczai, A. (2007). Sociology, Religion and Grace. London: Routledge, https://doi.org/10.4324/9780203968185
ABOUT THIS BOOK

This book offers a sociological analysis of the Renaissance, focusing on the concept of grace, and the unity that exists between its various meanings: theological, anthropological (gift-giving, Mauss; and sociability, Simmel), and aesthetical (beauty and gracefulness).

Since the seminal work of Max Weber rooted capitalism, and thus the modern world, in the Protestant ethic, interest in the Renaissance among social scientists has been minimal. However, this book argues that the heart of the European tradition lies in a series of renascences, going back to Minoan Crete and its rebirth in classical Greek civilisation, during an earlier global age.

The Renaissance forged a novel unity between the Judaic-prophetic and Minoan-Athenian traditions, renewing grace in all its aspects and thus revitalising Europe. This attempt tragically failed and the modern world is the outcome of this explosion. All this has vital contemporary relevance, as the classical European tradition is still a unique source suggesting a way out of the spiralling logic of globalisation.

TABLE OF CONTENTS
chapter |12 pages
Introduction: Grace and gift-giving beyond charisma
View abstract
part |2 pages
PART 1 The births and re-births of grace in Antiquity
chapter |4 pages
Introduction to part 1: The Minoan and Judaic roots of Europe
View abstract
chapter 1|11 pages
Minoan Grace
View abstract
chapter 2|24 pages
Grace in Greece
View abstract
chapter 3|11 pages
The Three Graces
View abstract
chapter |2 pages
Conclusion to part 1
View abstract
part |2 pages
PART 2 The experiential bases of Tuscan Renaissance painting
chapter |2 pages
Introduction to part 2: What is the Renaissance? Franciscan renewal vs. revival of Pagan Antiquity
View abstract
chapter 4|17 pages
The Tuscan Renaissance
View abstract
chapter 5|10 pages
The Tuscan ‘maniera greca’ and its experiential bases
View abstract
chapter 6|23 pages
Cimabue and the Bonaventuran origins of Renaissance painting
View abstract
chapter |2 pages
Conclusion to part 2
View abstract
part |2 pages
PART 3 The flowering and demise of Renaissance Grace
chapter |2 pages
Introduction to part 3: Grace, Calumny and the return of the Trickster, or Alberti’s advice and admonition
View abstract
chapter 7|64 pages
Leonardo da Vinci: The early years
View abstract
chapter 8|27 pages
Leonardo da Vinci: The mature works
View abstract
chapter 9|41 pages
Michelangelo
View abstract
chapter 10|62 pages
Raphael
View abstract
chapter |4 pages
Conclusion to part 3
View abstract
chapter |3 pages
Conclusion: Retrieving connections
View abstract

This book offers a sociological analysis of the Renaissance, focusing on the concept of grace, and the unity that exists between its various meanings: theological, anthropological (gift-giving, Mauss; and sociability, Simmel), and aesthetical (beauty and gracefulness).

Since the seminal work of Max Weber rooted capitalism, and thus the modern world, in the Protestant ethic, interest in the Renaissance among social scientists has been minimal. However, this book argues that the heart of the European tradition lies in a series of renascences, going back to Minoan Crete and its rebirth in classical Greek civilisation, during an earlier global age.

The Renaissance forged a novel unity between the Judaic-prophetic and Minoan-Athenian traditions, renewing grace in all its aspects and thus revitalising Europe. This attempt tragically failed and the modern world is the outcome of this explosion. All this has vital contemporary relevance, as the classical European tradition is still a unique source suggesting a way out of the spiralling logic of globalisation.

TABLE OF CONTENTS
chapter |12 pages
Introduction: Grace and gift-giving beyond charisma
View abstract
part |2 pages
PART 1 The births and re-births of grace in Antiquity
chapter |4 pages
Introduction to part 1: The Minoan and Judaic roots of Europe
View abstract
chapter 1|11 pages
Minoan Grace
View abstract
chapter 2|24 pages
Grace in Greece
View abstract
chapter 3|11 pages
The Three Graces
View abstract
chapter |2 pages
Conclusion to part 1
View abstract
part |2 pages
PART 2 The experiential bases of Tuscan Renaissance painting
chapter |2 pages
Introduction to part 2: What is the Renaissance? Franciscan renewal vs. revival of Pagan Antiquity
View abstract
chapter 4|17 pages
The Tuscan Renaissance
View abstract
chapter 5|10 pages
The Tuscan ‘maniera greca’ and its experiential bases
View abstract
chapter 6|23 pages
Cimabue and the Bonaventuran origins of Renaissance painting
View abstract
chapter |2 pages
Conclusion to part 2
View abstract
part |2 pages
PART 3 The flowering and demise of Renaissance Grace
chapter |2 pages
Introduction to part 3: Grace, Calumny and the return of the Trickster, or Alberti’s advice and admonition
View abstract
chapter 7|64 pages
Leonardo da Vinci: The early years
View abstract
chapter 8|27 pages
Leonardo da Vinci: The mature works
View abstract
chapter 9|41 pages
Michelangelo
View abstract
chapter 10|62 pages
Raphael
View abstract
chapter |4 pages
Conclusion to part 3
View abstract
chapter |3 pages
Conclusion: Retrieving connections
View abstract
CONTENTS
ABOUT THIS BOOK

This book offers a sociological analysis of the Renaissance, focusing on the concept of grace, and the unity that exists between its various meanings: theological, anthropological (gift-giving, Mauss; and sociability, Simmel), and aesthetical (beauty and gracefulness).

Since the seminal work of Max Weber rooted capitalism, and thus the modern world, in the Protestant ethic, interest in the Renaissance among social scientists has been minimal. However, this book argues that the heart of the European tradition lies in a series of renascences, going back to Minoan Crete and its rebirth in classical Greek civilisation, during an earlier global age.

The Renaissance forged a novel unity between the Judaic-prophetic and Minoan-Athenian traditions, renewing grace in all its aspects and thus revitalising Europe. This attempt tragically failed and the modern world is the outcome of this explosion. All this has vital contemporary relevance, as the classical European tradition is still a unique source suggesting a way out of the spiralling logic of globalisation.

TABLE OF CONTENTS
chapter |12 pages
Introduction: Grace and gift-giving beyond charisma
View abstract
part |2 pages
PART 1 The births and re-births of grace in Antiquity
chapter |4 pages
Introduction to part 1: The Minoan and Judaic roots of Europe
View abstract
chapter 1|11 pages
Minoan Grace
View abstract
chapter 2|24 pages
Grace in Greece
View abstract
chapter 3|11 pages
The Three Graces
View abstract
chapter |2 pages
Conclusion to part 1
View abstract
part |2 pages
PART 2 The experiential bases of Tuscan Renaissance painting
chapter |2 pages
Introduction to part 2: What is the Renaissance? Franciscan renewal vs. revival of Pagan Antiquity
View abstract
chapter 4|17 pages
The Tuscan Renaissance
View abstract
chapter 5|10 pages
The Tuscan ‘maniera greca’ and its experiential bases
View abstract
chapter 6|23 pages
Cimabue and the Bonaventuran origins of Renaissance painting
View abstract
chapter |2 pages
Conclusion to part 2
View abstract
part |2 pages
PART 3 The flowering and demise of Renaissance Grace
chapter |2 pages
Introduction to part 3: Grace, Calumny and the return of the Trickster, or Alberti’s advice and admonition
View abstract
chapter 7|64 pages
Leonardo da Vinci: The early years
View abstract
chapter 8|27 pages
Leonardo da Vinci: The mature works
View abstract
chapter 9|41 pages
Michelangelo
View abstract
chapter 10|62 pages
Raphael
View abstract
chapter |4 pages
Conclusion to part 3
View abstract
chapter |3 pages
Conclusion: Retrieving connections
View abstract

This book offers a sociological analysis of the Renaissance, focusing on the concept of grace, and the unity that exists between its various meanings: theological, anthropological (gift-giving, Mauss; and sociability, Simmel), and aesthetical (beauty and gracefulness).

Since the seminal work of Max Weber rooted capitalism, and thus the modern world, in the Protestant ethic, interest in the Renaissance among social scientists has been minimal. However, this book argues that the heart of the European tradition lies in a series of renascences, going back to Minoan Crete and its rebirth in classical Greek civilisation, during an earlier global age.

The Renaissance forged a novel unity between the Judaic-prophetic and Minoan-Athenian traditions, renewing grace in all its aspects and thus revitalising Europe. This attempt tragically failed and the modern world is the outcome of this explosion. All this has vital contemporary relevance, as the classical European tradition is still a unique source suggesting a way out of the spiralling logic of globalisation.

TABLE OF CONTENTS
chapter |12 pages
Introduction: Grace and gift-giving beyond charisma
View abstract
part |2 pages
PART 1 The births and re-births of grace in Antiquity
chapter |4 pages
Introduction to part 1: The Minoan and Judaic roots of Europe
View abstract
chapter 1|11 pages
Minoan Grace
View abstract
chapter 2|24 pages
Grace in Greece
View abstract
chapter 3|11 pages
The Three Graces
View abstract
chapter |2 pages
Conclusion to part 1
View abstract
part |2 pages
PART 2 The experiential bases of Tuscan Renaissance painting
chapter |2 pages
Introduction to part 2: What is the Renaissance? Franciscan renewal vs. revival of Pagan Antiquity
View abstract
chapter 4|17 pages
The Tuscan Renaissance
View abstract
chapter 5|10 pages
The Tuscan ‘maniera greca’ and its experiential bases
View abstract
chapter 6|23 pages
Cimabue and the Bonaventuran origins of Renaissance painting
View abstract
chapter |2 pages
Conclusion to part 2
View abstract
part |2 pages
PART 3 The flowering and demise of Renaissance Grace
chapter |2 pages
Introduction to part 3: Grace, Calumny and the return of the Trickster, or Alberti’s advice and admonition
View abstract
chapter 7|64 pages
Leonardo da Vinci: The early years
View abstract
chapter 8|27 pages
Leonardo da Vinci: The mature works
View abstract
chapter 9|41 pages
Michelangelo
View abstract
chapter 10|62 pages
Raphael
View abstract
chapter |4 pages
Conclusion to part 3
View abstract
chapter |3 pages
Conclusion: Retrieving connections
View abstract
ABOUT THIS BOOK
ABOUT THIS BOOK

This book offers a sociological analysis of the Renaissance, focusing on the concept of grace, and the unity that exists between its various meanings: theological, anthropological (gift-giving, Mauss; and sociability, Simmel), and aesthetical (beauty and gracefulness).

Since the seminal work of Max Weber rooted capitalism, and thus the modern world, in the Protestant ethic, interest in the Renaissance among social scientists has been minimal. However, this book argues that the heart of the European tradition lies in a series of renascences, going back to Minoan Crete and its rebirth in classical Greek civilisation, during an earlier global age.

The Renaissance forged a novel unity between the Judaic-prophetic and Minoan-Athenian traditions, renewing grace in all its aspects and thus revitalising Europe. This attempt tragically failed and the modern world is the outcome of this explosion. All this has vital contemporary relevance, as the classical European tradition is still a unique source suggesting a way out of the spiralling logic of globalisation.

TABLE OF CONTENTS
chapter |12 pages
Introduction: Grace and gift-giving beyond charisma
View abstract
part |2 pages
PART 1 The births and re-births of grace in Antiquity
chapter |4 pages
Introduction to part 1: The Minoan and Judaic roots of Europe
View abstract
chapter 1|11 pages
Minoan Grace
View abstract
chapter 2|24 pages
Grace in Greece
View abstract
chapter 3|11 pages
The Three Graces
View abstract
chapter |2 pages
Conclusion to part 1
View abstract
part |2 pages
PART 2 The experiential bases of Tuscan Renaissance painting
chapter |2 pages
Introduction to part 2: What is the Renaissance? Franciscan renewal vs. revival of Pagan Antiquity
View abstract
chapter 4|17 pages
The Tuscan Renaissance
View abstract
chapter 5|10 pages
The Tuscan ‘maniera greca’ and its experiential bases
View abstract
chapter 6|23 pages
Cimabue and the Bonaventuran origins of Renaissance painting
View abstract
chapter |2 pages
Conclusion to part 2
View abstract
part |2 pages
PART 3 The flowering and demise of Renaissance Grace
chapter |2 pages
Introduction to part 3: Grace, Calumny and the return of the Trickster, or Alberti’s advice and admonition
View abstract
chapter 7|64 pages
Leonardo da Vinci: The early years
View abstract
chapter 8|27 pages
Leonardo da Vinci: The mature works
View abstract
chapter 9|41 pages
Michelangelo
View abstract
chapter 10|62 pages
Raphael
View abstract
chapter |4 pages
Conclusion to part 3
View abstract
chapter |3 pages
Conclusion: Retrieving connections
View abstract

This book offers a sociological analysis of the Renaissance, focusing on the concept of grace, and the unity that exists between its various meanings: theological, anthropological (gift-giving, Mauss; and sociability, Simmel), and aesthetical (beauty and gracefulness).

Since the seminal work of Max Weber rooted capitalism, and thus the modern world, in the Protestant ethic, interest in the Renaissance among social scientists has been minimal. However, this book argues that the heart of the European tradition lies in a series of renascences, going back to Minoan Crete and its rebirth in classical Greek civilisation, during an earlier global age.

The Renaissance forged a novel unity between the Judaic-prophetic and Minoan-Athenian traditions, renewing grace in all its aspects and thus revitalising Europe. This attempt tragically failed and the modern world is the outcome of this explosion. All this has vital contemporary relevance, as the classical European tradition is still a unique source suggesting a way out of the spiralling logic of globalisation.

TABLE OF CONTENTS
chapter |12 pages
Introduction: Grace and gift-giving beyond charisma
View abstract
part |2 pages
PART 1 The births and re-births of grace in Antiquity
chapter |4 pages
Introduction to part 1: The Minoan and Judaic roots of Europe
View abstract
chapter 1|11 pages
Minoan Grace
View abstract
chapter 2|24 pages
Grace in Greece
View abstract
chapter 3|11 pages
The Three Graces
View abstract
chapter |2 pages
Conclusion to part 1
View abstract
part |2 pages
PART 2 The experiential bases of Tuscan Renaissance painting
chapter |2 pages
Introduction to part 2: What is the Renaissance? Franciscan renewal vs. revival of Pagan Antiquity
View abstract
chapter 4|17 pages
The Tuscan Renaissance
View abstract
chapter 5|10 pages
The Tuscan ‘maniera greca’ and its experiential bases
View abstract
chapter 6|23 pages
Cimabue and the Bonaventuran origins of Renaissance painting
View abstract
chapter |2 pages
Conclusion to part 2
View abstract
part |2 pages
PART 3 The flowering and demise of Renaissance Grace
chapter |2 pages
Introduction to part 3: Grace, Calumny and the return of the Trickster, or Alberti’s advice and admonition
View abstract
chapter 7|64 pages
Leonardo da Vinci: The early years
View abstract
chapter 8|27 pages
Leonardo da Vinci: The mature works
View abstract
chapter 9|41 pages
Michelangelo
View abstract
chapter 10|62 pages
Raphael
View abstract
chapter |4 pages
Conclusion to part 3
View abstract
chapter |3 pages
Conclusion: Retrieving connections
View abstract
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