ABSTRACT

Institut für Theaterwissenschaft, Universitàt M ünchen, hosts: Professors

Christopher Balme and Hans-Peter Bayerdórfer) for supporting this research;

to Jill Bepler, Julian Brooks, Philippe Büttgen, Eva Engel-Holland, Marie-Laure

Lartigue, Elizabeth McGrath, O uti Merisalo, William Twining and Richard

Woodfield; and to Dr. Cram er-Fürtig (Bayerisches Hauptstaatsarchiv,

München); the DAAD and Gladys Krieble Delmas Foundation (Fellowships to

Germany and Venice: 1996, 1997); and the British Academy (Research,

Conference and Travel Grants: 1995,1996,1997). Otherwise unattributed transla-

tions are mine, and are intended only as a guide to the originals.