ABSTRACT

First published in 2004. English stage comedy has weathered centuries of social and theatrical change. How did it survive? English Stage Comedy 1490–1990 is a unique and beautifully written study of the comedy of the English stage from the Tudor period to the late twentieth century. Organized thematically, it shows how this remarkably enduring genre has dealt with the tensions of social life, using its conventions as tools for social inquiry. Through an examination of comedy Alexander Leggatt demonstrates that an approach through genre, neglected in recent criticism, can have much to say about our current concerns with the relations between literature and society. English Stage Comedy 1490–1990 surveys five centuries of classic comic drama, focusing on major playwrights such as: Shakespeare, Jonson, Etherege, Wycherley, Congreve, Vanbrugh, Goldsmith, Sheridan, Wilde, Shaw, Coward, Orton, Ayckbourn and many lesser-known figures.

chapter |15 pages

Introduction

Five centuries of a genre

chapter 1|20 pages

Getting Control

chapter 2|22 pages

Watching Society

chapter 3|17 pages

Loners

chapter 4|19 pages

Other Places

chapter 5|19 pages

Parents and Children

chapter 6|23 pages

Negotiations

chapter 7|22 pages

Comedy Against Itself

chapter |3 pages

Conclusion