ABSTRACT
In chapter 5, I tried to illustrate the importance of Turgenev’s work for a decade in which, perhaps more than at any other time, a distinct fictional aesthetic prevailed in England. I wish finally to consider the achievement which made it possible for Turgenev to be so deeply admired: the fifteen volumes of Turgenev’s work translated into English by Constance Garnett between 1894 and 1899.
