ABSTRACT
In the wake of the extravagant spectacle of the 2008 Beijing Summer Games – which
unfolded before a record global audience who revelled in the virtuosic accomplishments of
the likes of American swimmer Michael Phelps and Jamaican sprinter Usain Bolt – and
the acclaimed success of the 2010 Vancouver Winter Games – whose jubilant and
welcoming atmosphere was widely praised by the global media,
and which also reached a
record number of global viewers
– the assertion that the Olympic Games represent ‘the
pre-eminent cultural movement in global society’ in the early years of the twenty-first
century appears compelling.