ABSTRACT
Nietzsche has become a fin-de-siècle phenomenon again. It is a different century this time, and its intellectual wars are waged over such things as texts, discourses, logo-centrism, and gender, rather than Christian morality, the death of God, progress, and l’art pour l’art. But, in the last twenty years or so, Nietzsche has again come to occupy the centre of everything intellectually radical, even ‘postmodern’ or ‘post-philosophical’.
