ABSTRACT
Foley artists begin their contribution to the sound design on the Foley stage. They collect their shoes and props for the session, go over any cue sheets, sip their coffees, perhaps devour a bagel, and begin to plan the rst few cues. Normally, if the project is a live-action or animated lm, there will be some time to view the beginning of the show to get a sense of the amount of work required to be nished before the session is nished.
