ABSTRACT

The years following the Cultural Revolution saw the arrival of television as part of China’s effort to ‘modernize’ and open up to the West. Endorsed by the Deng Xiaoping regime as a ‘bridge’ between government and the people, television became at once the official mouthpiece of the Communist Party and the most popular form of entertainment for Chinese people living in the cities. But the authorities failed to realize the unmatched cultural power of television to inspire resistance to official ideologies, expectations, and lifestyles.

The presence of television in the homes of the urban Chinese strikingly broadened the cultural and political awareness of its audience and provoked the people to imagine better ways of living as individuals, families, and as a nation.

Originally published in 1991, set within the framework of China’s political and economic environment in the modernization period, this insightful analysis is based on ethnographic data collected in China before and after the Tiananmen Square disaster. From interviews with leading Chinese television executives and nearly one hundred families in Beijing, Shanghai, Guangzhou, and Xian, the author outlays how Chinese television fosters opposition to the government through the work routines of media professionals, television imagery, and the role of critical, active audience members.

chapter 1|16 pages

Modernizing China

The predicament of reform

chapter 2|13 pages

In the Name of Civilization

Development of the mass media in China

chapter 3|18 pages

Knowing China

From inside and out

chapter 4|30 pages

Television in Urban China

The medium enters everyday life

chapter 5|14 pages

Crossing the Electronic Bridge

The people and the people's medium

chapter 6|35 pages

China's New Star

Reform on prime-time television

chapter 7|27 pages

The Freedom to Have Fun

Popular culture and censorship in China

chapter 8|28 pages

Looking in and Looking Out

Viewing habits and cultural consequences

chapter 9|26 pages

Tiananmen Square and Beyond

China's insurmountable image problem

chapter 10|13 pages

Television, Culture, and Politics

The electronic amplification of contradiction