ABSTRACT
The phrase structure of standard tunes is fairly predictable.1 It consists of a finite number of mostly eight-bar phrases that are easily classified according to their melodic, harmonic, and contrapuntal properties.2 Melodic properties, for instance, are characteristic successions of melodic tones common to particular families of standard tunes. The same can be said
certain principles of chord formation and by various rules of counterpoint and harmonic function. These relationships are demonstrated using the concept of phrase models. Although phrase models are classified according to the differences in the melodic structure and supporting harmonies, it is important to stress that these properties are mutually intertwined. The behavior of the melody is shaped by its supporting harmonies, just as the sense of harmonic progression is dictated by the behavior of melodic patterns.3 This intimate relationship means that if we attempt to understand the phrase structure of standard tunes in exclusively melodic terms or from a purely harmonic perspective, that understanding will be incomplete.
