ABSTRACT
Throughout this volume, we have intended to show that online cultural products and practices are as central to the contemporary ‘invention of Latin America’ (Mignolo 2000) as predigital media were in the past, and we argue that, rather than online works proving to be the site of the radically new or the free-floating, Latin American online works interpellate (often critically) preexisting discourses of the region and beyond.
