ABSTRACT

Macao, the former Portuguese colony in southeast China from the 1550s until its return to China in 1999, has a long and very interesting history of cultural interaction between China and the West. As an entity with independent political power and a unique social setting and cultural development, the identity of Macao’s people is not only indicative of the legacy and influence of the region’s socio-historical factors and forces, but it has also been altered, transformed and maintained because of the input, action, interaction and stimulation of creative arts and literatures. Held together by racial accommodation and tolerance and active cultural interactions, Macao’s phenomenon can be characterized as hybridization. This book is a presentation of the ongoing hybridization of Macao and is in itself a hybrid, covering a wide range of issues. Putting forward substantial new research findings, the book explores the nature of cultural interaction in Macao, and how the city has been constructed and perceived through literature and other art forms. It is a companion volume to Macao – The Formation of a Global City .

part I|41 pages

Socio-cultural evolution

chapter 1|9 pages

The evolution of spellings of ‘Macau'

An examination of early Portuguese and Western archival materials

part II|46 pages

Intercultural representations

chapter 4|11 pages

Foundational fictions

The domestic romances of Macao and Hong Kong

chapter 5|11 pages

Austin Coates and Macao

The legacy of a special and spontaneous friendship

chapter 6|22 pages

Subtle messengers

Literary myth and national identities in the postage stamps of Macao 1

part III|67 pages

Visual and aural representations

chapter 8|15 pages

Baroque Macao

The city, history and the dialectical image

chapter 9|15 pages

Contemporary representations of Macao

Taking off the city

chapter 10|20 pages

A survey of liturgical composition in Macao in the twentieth century

Musical life with São José as its centre