ABSTRACT
BACHELARD’S POETICS OF SPACE articulates the need, beyond Bachelard’s
own scientifi c rationalism, for a discourse of poetic imagination and of the
onset and affectivity of the creative ‘image’. His concern is less to catalogue
or even describe spatial experience than to develop a discourse that might
be adequate to account for the instigation of the creative impulse and of the
power of the resultant poetic form. For Bachelard felt that the philosophical
tradition he had hitherto sponsored – that of an essentially positivist, scien-
tifi c rationalism – was inadequate to comprehend, much less propitiate, the
essential creative impulse to a changed poetic.