ABSTRACT
MY INTEREST HAS BEEN (here) in praxis – in the broad sweep of the production-
to-reception ‘machine’ of architecture; in the ‘possibility of an architecture’, as
I’ve frequently expressed it; a phrase that only latterly I see recurring in sev-
eral texts that variously probe the technical, aesthetic and professional change
implicit with/in a digital medium. The Possibility of (an) Architecture, then, a
somewhat unselfconscious and emergent title, as if marking an infl ection of
the very psychology of, say, Vers une Architecture with its positivist, techno-
rational mandate.
