ABSTRACT

Queering India is the first book to provide an understanding of same-sex love and eroticism in Indian culture and society. The essays focus on pre-colonial, colonial, and post-colonial gay and lesbian life in India to provide a comprehensive look at a much neglected topic. The topics are wide-ranging, considering film, literature, popular culture, historical and religious texts, law and other aspects of life in India. Specifically, the essays cover such issues as Deepa Mehta's recent and controversial film, Fire, which focused on lesbian relationships in India; the Indian penal code which outlaws homosexual acts; a case of same-sex love and murder in colonial India; homophobic fiction and homoerotic advertising in current day India; and lesbian subtext in Hindu scripture. All of the essays are original to the collection. Queering India promises to change the way we understand India as well as gay and lesbian life and sexuality around the world.

chapter |11 pages

Introduction

part |72 pages

Colonial Transitions

chapter 1|15 pages

The Politics of Penetration

Section 377 of the Indian Penal Code

chapter 2|17 pages

Sultan Mahmud's Makeover

Colonial Homophobia and the Persian-Urdu Literary Tradition

chapter 3|14 pages

Doganas and Zanakhis

The Invention and Subsequent Erasure of Urdu Poetry's “Lesbian” Voice

chapter 4|16 pages

Alienation, Intimacy, and Gender

Problems for a History of Love in South Asia

chapter 5|8 pages

Eunuchs, Lesbians, and Other Mythical Beasts

Queering and Dequeering the Kama Sutra

part |76 pages

The Visions of Fiction

chapter 6|13 pages

Loving Well

Homosexuality and Utopian Thought in Post/Colonial India

chapter 7|11 pages

“Do I Remove My Skin?”

Interrogating Identity in Suniti Namjoshi's Fables

chapter 8|16 pages

“Queernesses All Mine”

Same-Sex Desire in Kamala Das's Fiction and Poetry

chapter 9|21 pages

Homophobic Fiction/Homoerotic Advertising

The Pleasures and Perils of Twentieth-Century Indianness

chapter 10|12 pages

What Mrs. Besahara Saw

Reflections on the Gay Goonda

part |81 pages

Performative Pleasures in Theater, TV, and Cinema

chapter 11|18 pages

A Different Desire, a Different Femininity

Theatrical Transvestism in the Parsi, Gujarati, and Marathi Theaters, 1850–1940

chapter 12|12 pages

Queer Bonds

Male Friendships in Contemporary Malayalam Cinema

chapter 13|14 pages

“I Sleep behind You”

Male Homosociality and Homoeroticism in Indian Parallel Cinema

chapter 14|15 pages

Queer Pleasures for Queer People

Film, Television, and Queer Sexuality in India

chapter 15|12 pages

On Fire

Sexuality and Its Incitements

chapter 16|10 pages

After the Fire