ABSTRACT
At Korobochka's What an absolute joy it is when, while you are acting, you manage, even for just a few moments, to move into a dimension where everything becomes genuine, when, on stage, there is a sense of real life in all its delicacy of detail. The actor opposite you is a living person. You see him as real, you guess what he is thinking by the expression on his face and the movements of his eyes. Your thoughts, to~, are genuine. You feel free to take the pauses that you need in order to understand a situation. You fee I no obligation to the audience, you wage a continuous, subtle and fascinating struggle with the other actor or actors. Today is not like yesterday, and tomorrow will not be like today.
