ABSTRACT

"Opera Coaching "is the first practical guide for pianists, singers, and opera producers to this important--and often neglected--career. The opera coach is a teacher who helps singers not only meet the physical and vocal demands of a score, but--like the dramatic coach--shapes their entire performance. The opera coach must have a wide knowledge, from a full understanding of human physiognomy and the human voice, to the many languages used in Western vocal music, to the entire expanse of the opera repertoire, from its roots in 17th century sung drama through today's most modern compositions. "Opera Coaching "covers all of these topics and more, making it the ideal resource for anyone interested in this fascinating career.

part 1|1 pages

Techniques

chapter 1|17 pages

Knowing the Score

chapter |2 pages

Interlude 1 Decorum

chapter 4|14 pages

The Stage Director’s Perspective

chapter 5|15 pages

The Art of Auditioning

chapter |3 pages

Interlude 2 Dealing with the Diva/Divo

part 2|1 pages

Considerations

chapter |3 pages

Interlude 3 Comparing Composer Styles

chapter 6|16 pages

Baroque Operas and Mozart

chapter |4 pages

Interlude 4 The Issue of Straight Tones

chapter 7|9 pages

The Bel Canto Movement

chapter |2 pages

Interlude 5 “Park and Bark”

chapter 8|10 pages

Verdi

chapter 9|8 pages

French Opera

chapter 10|4 pages

Mussorgsky and the Russians

chapter 11|14 pages

Richard Wagner and Richard Strauss

chapter 12|4 pages

Puccini and the Verismo School

chapter 13|4 pages

Operettas

chapter |3 pages

Interlude 7 Opera in Translation

chapter 15|2 pages

Conclusions

chapter |3 pages

Appendix C Favorite Catch Phrases

chapter |3 pages

Notes

chapter |4 pages

Annotated Bibliography