ABSTRACT

If rock ’n’ roll is the blues with an emphasis on adolescent sex, then goth rock is rock ’n’ roll with complete dysfunction-where death, sex, and madness combine into a heady potion. Gothic imagery and influence have skulked at the margins of rock music for decades, and even the blues have plenty of subject matter-mortality, eroticism, insanity, and loss-in common with what came to be known, in the late seventies and early eighties, simply as “goth.”