ABSTRACT

You can tell any story during the above exercise. One possibility is ‘the good news is . . . the bad news is’ format which alternates from person to person.

The performer of sung theatre needs a level of awareness that incorporates the many different facets of performance, from the spontaneous feelings and reactions of other performers in character to the externals of design. Awareness between characters

other but communicating in such a way that you elicit reactions from one another, mentally, physically and emotionally. In this way awareness contributes to spontaneity.