ABSTRACT
Hugo Cole discusses how Copland, in the musical climate of the 1920s, in which the dichotomy between the serious and popular composer was growing, retained a unique position as a forwardlooking composer who used popular idioms.
Hugo Cole discusses how Copland, in the musical climate of the 1920s, in which the dichotomy between the serious and popular composer was growing, retained a unique position as a forwardlooking composer who used popular idioms.