Collage vs. Compositional Control: : The Interdependency of Modernist and Postmodernist Approaches in the Work of Mauricio Kagel

doi:10.4324/9781315054506-17

ABSTRACT

Late Nietzsche needed a different music [compared to middle Nietzsche]: no more Schoenberg-Adorno, but [the music] of Cage or Kagel. He is not interested anymore in the critical character of form, but in the intense moment of the tone.