ABSTRACT

By way of contrast, the flamboyant flower, and leaf’, is a provocative and forcefully female image:

Kapok and mango, too, are similarly invoked, while the coconut furnishes us with a telling juxtaposition. The scholar-recluse Khiêm (1491-1585) wrote a poem in his collection the Bạch vân âm thi tập (cf. Schneider 1974:611 sqq.) commending the coconut thus: