ABSTRACT

Karam collection), and he has also republished separately texts of works which are to be found in each of the six volumes except volume 5. It would therefore seem that Kang Hanyong either owns or at least has access to copies of all Sin Chaehyo' s works made from a family source in the first decade of this century. One would like to know, then, what is the relationship between these and the texts in the Karam collection.