ABSTRACT
Critics have often questioned the existence of a Catholic cinema in postwar Italy since the end of the Fifties and its relevance within the Italian fi lm industry. This chapter will investigate both production companies directly funded by the Vatican and those supported by it indirectly. Moreover, it will look at the role of the parish cinemas, which during the period 1945-1960 represented a third of the national exhibition in terms of seats. By analysing the choice of fi lms shown, we can explore the part played by the Vatican in the distribution of American and Italian fi lms. We can then comprehend the use of American cinema to spread moral values and to promote anti-Communist positions. Finally, the role of the Italian Catholic press with regards to American fi lms is also signifi cant, as it illuminates the nature of the relationship between the Catholics and American cinema.
