ABSTRACT
In many ways, time has already been part of the preceding analysis. The development of the categories old and new national symbol, although primarily concerned with conceptualising the function of certain spatial components, makes an analytic distinction which operates along temporal lines by juxtaposing old and new. Furthermore, notions of anti-Heimat only work in relation to earlier Heimat ones and are as such examples of narrational changes over time, which stress the sequential character and interdependence of generic developments.
