ABSTRACT

In her reading of globalization’s impact on ‘‘the self-imagining of nation-

states,’’ Emily Apter argues that Afrofuturism – an African-American

movement that sought to reclaim ‘‘race aliens’’ – had ‘‘strategic reasons for

appropriating and remotivating the visual vocabulary of elsewhere, up, out,

and beyond.’’2 Attuned to anxieties about identities produced by conditions

of oppression, Afrofuturists, ranging from Sun Ra to George Clinton, construct post-nation-states ‘‘populated by citizens whose tribal loyalties and

patriotic memories are subjectively intact but continentally adrift.’’3 Theirs

is a world of ‘‘alien nomads,’’ whose encounters dislocate national uni-

versalism and set citizens adrift in a matrix of becoming-other.4