ABSTRACT
Each step of the way, the gaffer and rigging gaffer must consider three things: equipment, person-
nel, and time.
Additionally, the gaffer and DP, in collaboration with the production designer, determine what
special considerations should be given to the lighting in designing the sets. Designers are generally
very conscious of lighting, and design the sets with windows in places that will make for good
lighting; however, looking over the designer’s plans allows the DP, gaffer, and key grip to consider
practical matters such as access to the set, placement of wild walls (walls that can be removed), and
removable ceiling pieces. These considerations will forestall impediments to the lighting.
