ABSTRACT
In the previous chapter, we explored the characteristics of the MTV style in editing. Whereas linear narratives proceed by focusing a viewer’s identification with a main character, the MTV
approach proceeds using a less specific focus. Consequently, pace, subjectivity, and the close-
up are not used to build an identification with the main character. In the MTV style, they are used to generate a less specific intensity. Pace and subjectivity in general are not used to
move us up a dramatic arc; instead, they are used to intensify in effect a set-piece that may or
may not contribute to a dramatic arc.
