ABSTRACT

This new edition of Mind Models reintroduces and renews a classic work on 20th century composition, one that has remained relevant for over a quarter century -- and should remain a central reading for decades to come.

chapter |3 pages

PART I Rates of Change

chapter |2 pages

Acceleration and Pace

chapter |2 pages

Diversity

chapter |4 pages

Capability

chapter |2 pages

Acceptance of Context

chapter |4 pages

New Models

chapter |3 pages

PART II The States of Art

chapter |7 pages

Subgroups in Society

chapter |7 pages

The General Event

chapter |10 pages

PART III The Public and Private Realms

chapter |16 pages

Alternate Approaches to Art

chapter |19 pages

PART IV Sound

chapter |12 pages

Synthesis

chapter |9 pages

The Last Dimension: Space

part |2 pages

PART V Time

chapter |6 pages

Experimental Approaches to Measurement

chapter |6 pages

Some Pitfalls

chapter |7 pages

Altered Time Frames

part |1 pages

PART VI Notation

chapter |3 pages

The Creative Continuum

chapter |6 pages

The Function of Notation

chapter |7 pages

Good Notational Practice

chapter |13 pages

PART VII Morphology in Music

chapter |10 pages

The Implications of Abundance

chapter |18 pages

Changing Views of Experience