ABSTRACT
U nderwater wide angles have the power to transport the young or oldfrom the comfort of their topside existence to a world that few ever have the opportunity to see with their own eyes. Those close to me often
compare my own underwater wide angle style with the type of landscape
photographs which you’d expect to see in a magazine and on a post card. In
recent years I have nurtured my interest for topside landscapes also. There are
many similarities between the two, all of which are easily transferable, but it’s
the underwater alternative wide angles which excite me most. Several of the
more popular types include:
Balanced light fill-in flash Close focus wide angle Working with a model Shooting schooling fish Shipwrecks Split-levels.
