ABSTRACT

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Idea > input device (MIDI keyboard) > DAW > sound source > audio processing > sound card > monitors > room > ears

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Room > monitors > sound card > audio processing > sound source > DAW > input device

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UNDERWHELMED 3. Monitorsˆ WILL BUY YOU QUITE A LOT IN MONITOR ING TERMS )F YOURE NOTWORKING IN A BIG ROOM THEN YOU REALLYWONTNEEDHUGEAMOUNTSOFPOWER SOASYSTEM WITHSMALLERMONITORSANDPERHAPSAMATCHINGSUB WOOFERMIGHTBE ABETTERWAY TO GO 4HE EXTENDED RANGEOFTHESYSTEMWILLPROVEINVALUABLEINWORK ING ON YOURMIXES(OWEVER THE INCREASED BASS RESPONSECOULDACTUALLYcauseASMANYPROBLEMS ASITSOLVES7HICHISWHYWENEEDTOLOOKAT… 4. Acousticsˆ"ASIC ACOUSTIC TREATMENT FOR YOUR ROOM CAN MAKE Amassive DIFFERENCE AND IT NEEDNT BE THAT EXPENSIVE 3OME WELL PLACED ACOUSTIC TILES ANDNO )don’tMEANEGG CARTONS CANCLEANUPTHESOUNDYOUAREHEARINGANDBRING THINGSALOTMOREINTOFOCUS4HESECANBEHADFOR AS LITTLE AS SEVERAL HUNDRED DOLLARS "EYOND THAT YOUCOULDLOOKATMORESOPHISTICATEDbass trapping TOHELPSORTOUTANYPROBLEMSWITHTHELOWFREQUEN CIES 4HERE ARE A GREAT NUMBER OF DIFFERENT ACOUSTIC TREATMENTOPTIONSINTHESAMEWAYASTHEREAREAGREAT NUMBER OF ACOUSTIC PROBLEMS 3OME OF THEM CAN BE QUITEEXPENSIVEBUTFORTHEMOSTPARTEVENTHEMOREBASIC

ONESCANSTILLREALLYHELPTHESOUNDOFYOURROOM

Bass trapping is the

technique of using acoustic devices called

“bass traps” to control the low frequency response of a

recording or mixing room. Bass traps can vary a lot in design but are, essentially, devices

which absorb acoustic energy in a particular frequency band. Often bass frequencies are the most problematic in the studio environment so a great deal of time, effort and expense can

go into making the bass response of a room

more controlled and even.