Choosing Your Style

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4AKINGTHATINTOACCOUNTITISCLEARTHATTHISWIDERGENREYOUWORKWITHINATLEAST UNDERONEPSEUDONYMORACTNAME ISPRETTYIMPORTANTANDITHASTOBESOME THINGYOUFEELCOMFORTABLEWORKINGIN2EMIXINGISOFTENABOUTWORKINGTOTIGHT DEADLINESSOYOUWOULDNTWANTTOTRYSOMETHINGNEWWHENYOUAREUNDERPRES SURETOGETAREMIXDONE%XPERIMENTINGINOTHERGENRESISBESTDONEUNDERANEW ARTISTNAMEWITHINWHICHYOUCANBUILDUPYOURCONlDENCEANDTHENLOOKFOR WORK4HEOBVIOUSDOWNSIDE TO THIS IS THATWHATEVERPROlLEYOUHAVEBUILTUP UNDERYOURORIGINALARTISTNAMEWILLBELOSTWHENYOUSTARTUSINGAPSEUDONYM WITHINANEWSUBGENRETHATINCLUDESANYBRANDRECOGNITIONYOUHADTHISCOULD MAKEYOULESSSELLABLEORVALUABLETOTHERECORDLABELCOMMISSIONINGTHEREMIX 4HATSAID THEDANCEMUSIC INDUSTRYDOESALLOWAHUGEAMOUNTOFmEXIBILITY TO THOSEWORKINGWITHINITBECAUSEOFTHEPOSSIBILITYOFWORKINGONMULTIPLEPROJ ECTSUNDERMULTIPLENAMESANDINMULTIPLEGENRES)FYOUHAVETHEABILITYAND THEDESIRETHISCANBEAGREATWAYOFWORKINGBECAUSEITGIVESYOUCREATIVEOUTLETS FORPRETTYMUCHWHATEVERDIRECTIONYOUWANTTOGOINCREATIVELYWHILEALLOWING YOUTOFOCUSEACHINDIVIDUALhBRANDvTOITSOWNMARKET

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/NE lNAL THING TO TAKE INTO ACCOUNT IS THAT DIFFERENT PEOPLE AND ESPECIALLY PEOPLE FROM DIFFERENT POCKETS OF THE MUSIC INDUSTRY OFTEN USE DIFFERENT

LANGUAGE TO CONVEY THE SAME MUSICAL IDEAS 3OMETIMES EVEN MORE CONFUS INGLY THEYWILLUSE THESAME LANGUAGEBUTMEANSOMETHINGDIFFERENT/VERA PERIOD OF TIME OF DEALINGWITH PEOPLE REGULARLY YOU LEARNWHAT EXACTLY THEY MEANWHENTHEYTRYTOCONVEYANIDEABUTIFYOUREWORKINGWITHANEWCLIENT ANDYOUREHAVINGPROBLEMSUNDERSTANDINGEACHOTHERASIMPLEREFERENCETRACK CANGOALONGWAY9OULLALSOlNDTHATASYOUESTABLISHYOURREMIXINGIDENTITY PEOPLEWILLBEMOREWILLINGANDHAPPYTOJUSTLEAVEYOUTODOYOURTHINGAND LETYOUDECIDEWHATISBESTFORTHETRACK$ONTASSUMETHATWILLHAPPEN OFTHETIMEHOWEVERINMYEXPERIENCEITJUSTDOESNT

.OW THAT YOU HAVE AN IDEA OF WHICH DIRECTION TO TAKE THE TRACK YOU CAN GET TO WORK STARTING ON THE REMIX $EPENDING ON WHICH SOFTWARE YOU USE YOUMIGHTBE ABLE TO SET UP ANUMBEROF DIFFERENT TEMPLATES TOWORK FROM ) USE!PPLE ,OGIC 3TUDIO AND THIS ALLOWS YOU TOHAVEMULTIPLE TEMPLATES !S ALREADY MENTIONED REMIXING PERHAPS MORE THAN PRODUCING YOUR OWN TRACKS ISMOREOFTENTHANNOTONAVERYTIGHTDEADLINESOOVERTIMEYOUWILL lNDWAYSTOIMPROVEYOURWORKmOWANDGENERALLYSPEEDTHINGSUP3AVINGA FEWMINUTESHEREANDTHEREINTHESETTINGUPOFTHINGSMIGHTNOTSEEMLIKEA LOTBUTITCANSOONADDUP)WILLCOVERTHISINMOREDETAILLATERBUTFORNOW IFYOUHAVE THEABILITY TODOSO ) STRONGLY RECOMMENDCREATINGAT LEASTONE TEMPLATEWITH SOME FAVORITE SYNTHSPRELOADED INTO THE CHANNELSWITH SOME hINSPIRATIONv SOUNDS SET UP 0OSSIBLY A BASS SOUND A PAD SOUND A PIANO ALWAYSGOODFORWORKINGOUTCHORDSTRUCTURE)lND ANDACOUPLEOFOTHER SOUNDS RELEVANT TO THE GENRE YOU ARE WORKING IN ARE GOOD PLACES TO START )ALSORECOMMENDHAVINGATTHEVERYLEASTAKICKDRUMSYNTHESIZEDORSAM PLED AVAILABLEFROMTHEGET GOASTHISISOFTENTHEVERYlRSTTHINGYOULLWANT TOPUTINTOTHETRACK

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