ABSTRACT
It happens, sometimes, that you get a production to mix, raise the faders to audition the multitrack, and realize that there is not much for you to do – all the tracks seem to combine pretty well and the core of the mix is already there. This lets you spend more time elevating the mix, focusing more on the general feel and nuances. Such was the case with Donna Pomini. In all honesty, the most challenging aspect of mixing this production was getting the levels right, especially between the varying sections.
