ABSTRACT
In the studio room, opening wall panels, moving baffles, laying out
carpets, and hanging blankets are common methods of altering the
acoustic space for your specific needs. In the control room, the opposite is
applied. The room response is set and predicted. In a properly treated
room, the reflections are minimized so sound reaching the engineer is
not colored by the influence of the room characteristics. The environ-
ment remains consistent to accurately monitor what is being recorded
and replayed.
