ABSTRACT

MS: Do you set up calling out lenses as a part of previz on most of your projects?

CS: Yeah, a lot of the feature films require that we do some of the technical planning for them, so at that point all of the information gets passed to whatever department requires it. On certain shows we interface a lot with the stunt coordinator, and on other shows it’s with the DP; on some shows it’s with the video effects department. It just depends on what the shows needs are.