ABSTRACT
These amagqoboka are now, ironically, in revolt against their very creators, the whites, and play, as prominent members of the clergy, a yeoman’s role in undoing the Afrikaner Godsbeeld (God image) of the black man in an apartheid society.
These amagqoboka are now, ironically, in revolt against their very creators, the whites, and play, as prominent members of the clergy, a yeoman’s role in undoing the Afrikaner Godsbeeld (God image) of the black man in an apartheid society.