ABSTRACT

In this engaging cross-disciplinary study, Timothy Murray examines the artistic struggle over traumatic fantasies of race, gender, sexuality, and power. Establishing a retrospective dialogue between past and present, stage and video, Drama Trauma links the impact of trauma on recent political projects in performance and video with the specters of difference haunting Shakespeare's plays.
The book provides close readings of cultural formations as diverse as Shakespearean drama, the Statue of Liberty, contemporary plays by women, African-American performance, and feminist interventions in video, performance and installation. The texts discussed include:
* installations by Mary Kelly and Dawn Dedeaux,
* plays by Ntozake Shange, Rochelle Owens, Adrienne Kennedy, Marsha Norman and Amiri Baraka
* performances by Robbie McCauley, Jordan, Orlan, and Carmelita Tropicana
* stage, film and video productions of King Lear, Othello, Romeo and Juliet and All's Well that Ends Well.

chapter 1|28 pages

Introduction

Performing trauma: the scare of academic cool

part I|70 pages

Sounding Silence in Shakespeare

chapter 2|26 pages

Getting Stoned

Psychoanalysis and the epistemology of tragedy in Shakespeare

chapter 4|21 pages

“Misshapen Chaos Of Well-Seeming Forms”

Specters of jointure in Romeo and Juliet

part II|43 pages

Writing Women's Vision

chapter 5|19 pages

Patriarchal Panopticism, Or The Enigma Of A Woman's Smile

Getting Out in theory

chapter 6|22 pages

The Play of Letters

Writing and possession in Chucky's Hunch

part III|44 pages

Color Adjustments

chapter 7|24 pages

Differa(n)ce

Screening the camera's eye in Afro-American drama

chapter 8|18 pages

In Exile At Home

Tornado breath and unrighteous fantasy in Robbie McCauley's Indian Blood

part IV|87 pages

Televisual Fear

chapter 9|28 pages

Camera Obscura Ideologica

From Vermeer to video in All's Well That Ends Well

chapter 10|23 pages

The Contrast Hurts

Censoring the Ladies Liberty in performance

chapter 11|34 pages

Televisual Fears And Warrior Myths

Mary Kelly meets Dawn DeDeaux