ABSTRACT

I take these two names1 as typical of what has been called in the last decade modernity or revolt; but the thesis I would seriously suggest covers something larger and perhaps simpler. The revolutionary elements in our epoch do not mark the beginning, but the end, of an epoch of revolution. I should hesitate to describe a number of distinguished and often honest literary gentlemen as Dregs; or I would have given that short and convenient title to this article. I prefer to put the same meaning, or even the same metaphor, into the words of a

revolutionary poet (whose present unpopularity is enough to show how insecure is the future of revolutionary poetry) and while I drink to the memory of Lawrence or the health of Huxley, murmur the words:

All thine the last wine that I pour is The last in the chalice I drain.