ABSTRACT

Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.

chapter |59 pages

Introduction

chapter Chapter 1|33 pages

Musica Recta and Musica Ficta *

chapter Chapter 2|10 pages

Pycard's Credo No. 76 *

chapter Chapter 3|10 pages

Renaissance Counterpoint and Musica Ficta *

chapter Chapter 4|45 pages

Diatonic Ficta*

chapter Chapter 7|21 pages

Editing Early Music: The Dilemma of Translation *

chapter Chapter 9|18 pages

Pycard's Double Canon: Evidence of Revision? *

chapter Chapter 11|19 pages

Resfacta and Cantare Super Librum *