ABSTRACT
This book exposes multiple strategies of postcolonial masquerades by offering divergent and varied readings from literature, film, video, and photography. Engaging the work of minority discourse theorists and artists like Gayatri Spivak, Edward Said, Hanif Kureishi, Salman Rushdie, and Pratibha Parmar, the book reflects on the encounters between racial and sexual differences, exile, and displacement.
