ABSTRACT

First published in 1985.

In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance.

chapter |6 pages

Introduction

chapter |13 pages

The inward springs

Measure for Measure II, ii, 162–87

chapter |12 pages

Menander and New Comedy

chapter |15 pages

Plautus and Terence

chapter |20 pages

The enchantments of Circe

chapter |17 pages

‘And all their minds transfigur'd'

Shakespeare's early comedies

chapter |15 pages

Magic versus time

As You Like It and Twelfth Night

chapter |12 pages

Mistaking in Much Ado

chapter |8 pages

Shakespeare's rhetoric of consciousness