“I Really Really Really want to get this Part but I’m not Sure how I Should Play it.”

I am putting this chapter here, perhaps a little prematurely in the logical sequence of the topics, because I am afraid you will get bored with reading this book, put it down and never get the benefit of the perspectives this chapter contains. I don’t know any other acting teacher who includes the following thoughts in their agenda. The ideas herein are crucial – how can I say this more emphatically? – to performing a winning audition. They have to do with substantiating a strategy for your acting choices.