ABSTRACT

On p. 18 of Alain Robbe-Grillet’s Project for a Revolution in New York, there is a description of ‘two figures’. A man, subsequently said to be black, is leaning over a young blond girl called Laura. ‘The scene’, we learn, ‘includes an objective trace of struggle.’ There is blood on the girl’s palm, apparently because it has been scraped on a broken window-pane.