ABSTRACT

While experiential staging is well documented in tourism studies, not enough has been written about the diverse types of experiences and expectations that visitors bring to the tourist space and how communities respond to, or indeed challenge, these expectations. This book brings together new ideas about cultural experiences and how communities, creative producers, and visitors can productively engage with competing interests and notions of experience and authenticity in the tourist environment.

Part I considers the experiences of communities in meeting the needs of cultural tourists in an international context. Part II analyses the relationships between individualcultural tourists, the community, and digital technology. Finally, Part III responds to new methodologies in relation to interactions between government and regional policy and community development.

Focusing on the way in which communities and visitors ‘perform’ new forms of cultural tourism, Performing Cultural Tourism is aimed at undergraduate students, researchers, academics, and a diverse range of professionals at both private and government levels that are seeking to develop policies and business plans that recognize and respond to new interests in contemporary tourism.

chapter |9 pages

Methodologies of touristic exchange

An introduction

part I|51 pages

Cooperation, exchange negotiation

chapter 1|18 pages

‘Temporary belonging’

Indigenous cultural tourism and community art centres

chapter 2|15 pages

Saving Sagada

part II|67 pages

The cultural tourist, social media and self-exploration

chapter 6|16 pages

Creative cultural tourism development

A tourist perspective

chapter 7|13 pages

#travelselfie

A netnographic study of travel identity communicated via Instagram

part III|59 pages

Cultural precincts, events and managing tourist and community expectations

chapter 8|18 pages

The creative turn

Cultural tourism at Australian convict heritage sites

chapter 10|18 pages

Local/global

David Walsh’s Museum of Old and New Art and its impact on the local community and the Tasmanian tourist industry

chapter |5 pages

Conclusion