ABSTRACT

In recent years, there has been high level of interest amongst policy-makers in the ‘creative city’ concept, due to the anticipation of economic and social benefits from a growing cultural and creative economy. However, a lack of understanding of local social and economic contexts, as well as the complexities and challenges of cultural production, has resulted in formulaic, ineffective misguided policies.

This book is concerned, in various ways, with developing an understanding of the complex dimensions of cultural production, and with tackling the often weak and implied links between research, policy and urban planning. In particular, contributors are concerned with agents, protagonists and practices that appear to be somehow invisible to, hidden from, or indeed ignored in much contemporary creative cities policy. Drawing on case studies from the UK and the Netherlands, chapters consider creative industries and policy across a range of scales, from provincial cities and regional economies, to the global cities of London and Amsterdam. This book was originally published as a special issue of European Planning Studies.

chapter 1|2 pages

Introduction

chapter 3|2 pages

Invisible But Not Insignificant

chapter 4|1 pages

Conclusion

chapter |3 pages

References

chapter 2|2 pages

The Triple Helix

chapter 3|6 pages

The Triple Helix and the Creative Economy

chapter 5|2 pages

Conclusion

chapter |4 pages

References

chapter 3|2 pages

Socio-Institutional Perspectives

chapter 5|1 pages

Conclusions

chapter |2 pages

Note

chapter 1|1 pages

Introduction

chapter 2|5 pages

Conceptual Background

chapter 3|3 pages

Three-Step Approach

chapter 4|6 pages

Delft as a Creative City

chapter 5|2 pages

Discussion

chapter 6|3 pages

Conclusion

part 6|1 pages

Cultural Amenities: Large and Small, Mainstream and Niche—A Conceptual Framework for Cultural Planning in an Age of Austerity

chapter 1|2 pages

Introduction

chapter 4|3 pages

Conclusions

chapter |3 pages

Acknowledgements